"John Yamrus remains one of my favorite authors because I can sit down and read one of his books start to finish - and along the way, laugh at his jokes, marvel at his wit, and every now and then a golden brick of enlightenment drops on my head." - Wolfgang Carstens

"John Yamrus is a remarkable poet, who uses a perfect choice of form to produce poems in the simplest language that run deep. A master of using the ordinary in an extraordinary way." - Milner Place

"John Yamrus is the most conventionally successful author in the small press. His poems are simple yet full of meaning and function as poems in the old sense in that they provide the reader with a new way to see or experience some everday phenomenon, a new take on life." - David McLean

Doomsday, for John Yamrus, really isn’t about doomsday and yet, it is.  Yamrus’ doomsday isn’t the big one with all the fires and the quakes and the tsunamis and the wind.  Instead, his doomsday is all about the little apocalypses of life.  The day to day failures that mark us as mortal.  That make us all too human. Chronic neck and back pain, a neighbor dying of cancer, Eddie and his dog Bastard.  It’s about all the little annoying grievances of life that just keep coming at you day in and day out.

my car battery died

i was
waiting for
Triple A.

i thought
i’d kill some time
by writing a bit.

nothing came
so, i
gave it up,
did the dishes,
played with
the dog and
waited,

thinking
it’s just like life,
isn’t it?

you do your
thing,

then
sit around
waiting
for the truck

to take you
away.

This is the kind of poem Yamrus is best known for.  Day to day ennui.  The typical angst that we all are so very well acquainted with.  His car doesn’t work, the poem he’s trying to write isn’t coming, and he’s just sitting there thinking about how this is the way it is.  Sitting around waiting for the truck to take you away.  Yamrus goes from the particular to the dreaded general idea of waiting to die.  He follows the advice of William Carlos Williams and does it in just twenty four matter of fact, stripped down lines.  The poem is not apocalyptic except that it is apocalyptic in spades.  This is what we all do while waiting for the truck to take us away.  Cavafy’s Romans were waiting for the barbarians.  Yamrus is just simply waiting for his car to be towed away.  Yet, in the process he achieves so much more.  

A poem like “my car battery died,” reveal John Yamrus’ talent for working the minimalist line.  His poems don’t have an extra ounce of fat on them.  And, they sound remarkably like the kind of story you might hear in a barber shop, a bar, on a bus, in a laundromat, at the filling station.  You can open a collection of Yamrus’ poems anywhere and find him talking.  And, if you shut your eyes you can almost hear his laconic voice going.  He might be telling you about the way his dog shakes the rain off its fur, he might be talking about the weather, he might be mentioning his publisher.  But, whatever he is talking about he is always intimately talking about himself.  And, on the surface the talk usually seems to be about everyday things, but if you read him for very long, you realize that these everyday things are Yamrus’ code for revealing certain private things about himself.

this morning

i was
nearly killed

by a
car

speeding through
the parking lot
at the
liquor store.

how

perfectly

fitting.

If my guess is right, John Yamrus talks the way he writes.  Because these are talk poems.  Because they really are the poems of a master storyteller.  Imagine that you are standing in the line at the supermarket and the guy ahead of you is telling the check out clerk how he nearly got run over in a liquor store parking lot.  This poem is all too likely the way someone would tell about this kind of incident.  And, notice how the poem begins.  “this morning.”  It’s just as simple as that.  And, those are all the words needed to suck you right into the narrative.

Then, Yamrus really hooks you with “i was/nearly killed.”  Wham, you are in his world now and he holds you there by saying, “by a/car.”  Suddenly, Yamrus is everyman because unless having been living in a closet all of your life, you also have been nearly hit by a car somewhere.  The action of the poem only takes four lines.

speeding through
the parking lot
at the
liquor store.

Now Yamrus needs a finish.  Most poets would have the narrator flip off the guy in the car.  But, not Yamrus.  Instead, he lets the poem end with a kind of stoic resignation laced with some irony.

how

perfectly

fitting.

I could easily quote more poems from DOING CARTWHEELS ON DOOMSDAY AFTERNOON but it really isn’t necessary.  Yamrus is a master of the minimalist poem and the understated wise crack.   His line which is also his sentence is pared to the bone.  And, the timing and the voice are absolutely natural and perfect.  Nobody does it better.

DOING CARTWHEELS ON DOOMSDAY AFTERNOON is coming soon from epic rites press. It`ll be available through Small Press Distribution, as well as part of The Lucky Bastards Club subscription.

John Yamrus reading on The Ashtray Show.

John Yamrus reading on The Epic Rites Reading Series.

John Yamrus reading on The Jane Crown Show.

John Yamrus reading at Crave Cafe: part one.

John Yamrus reading at Crave Cafe: part two.

John Yamrus reading at Crave Cafe: part three.

John Yamrus poetry in The Exuberant Ashtray.

John Yamrus has been a fixture on the poetry scene since 1970.  He's published 17 volumes of poetry, 2 novels and his poetry is widely published in magazines around the world.  His poems have been taught at both the high school and the college level and selections of his work have been translated into several languages, including Spanish, Swedish, Italian, French, Japanese and Romanian. His work has been described by the great Milner Place as "... a blade made from smooth honest steel, with the sharpest of edges."

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